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“Francesca Aldegani and the Unified Theory of Everything”, essay for the upcoming catalogue to the 2019 Francesca Aldegani exhibition AYTOS in the Sigmund Freud Museum Vienna (expected date of publication: 2022)
“Eternally Feminine: Jasna Herger” (an essay about the newest works of painter Jasna Herger for the exhibition UNDER MY SKIN, KreativRaum Galerie, Vienna) (January 2022)
“Inside from the Outside. Ouriel Morgensztern” (an essay about the photographer Ouriel Morgensztern) for the exhibition cataogue Ouriel Morgensztern: Rendezvous in Wien, Jewish Museum Vienna (October 2021)
“‘These Boots Were Made For Walking’: A Musical Journey with Rupert Huber” in: The ERSTE Foundation Tipping Point Talks 2019: Possibility | Audacity. Vienna: DIE ERSTE österreichische Spar-Casse Privatstiftung (2020)
“The Shape of Things To Come” (an essay about early corona-influenced works by Pauline Marcelle in the catalogue KILLER CLOSET. Vienna: Pauline Marcelle (2020)
“Sink or Swim: Leo Schatzl and Students at the Wellenklaenge Festival 2013” in: Kunst im öffentlichen Raum Niederösterreich, Band 11, 2011 – 2013. Katharina Blaas-Pratscher and Katrina Petter, eds. St. Pölten, 2019
“Eine Kämpferin für Gerechtigkeit, Demokratie und Offenheit” (an essay about Francille Rusan Wilson) in: Geschichte und Gerechtigkeit: Festschrift für Hubert Christian Ehalt. Aleida Assmann, Jan Assmann and Oliver Rathkolb, eds. Vienna : LIT Verlag (October 2019)
“Exit 27: Pro oder Contra” (text for the catalogue of the eponymous exhibition). St. Veit a.d. Glan: Galerie Herzogburg (May 2019)
Wall text (permanent installation) for the Office Art project Elements of Nature, Infineon Technologies Austria AG, Villach (November 2018)
“Never Give Up, Never Give In” (essay in the catalogue Markus Hiesleitner). Vienna: Verlag für moderne Kunst (2018)
“Ein persönlicher Blick der Kuratorin auf AHEAD of the Game”, essay in the complete catalogue documentation of the Carinthian kopf.head.glava project, Kunstverein Kärnten, Klagenfurt (December 2017)
“Nachwort” in Negotium (an art book by Kurt Ryslavy based on Franz West’s Otium, (October 2017)
DEBRIEFING (exhibition catalogue of the show AHEAD of the GAME: concept and texts),
Künstlerhaus Klagenfurt (December 2017)
Don’t Mention Felix, (group exhibition catalogue: concept and texts), Department of Art Theory, University of Applied Arts Vienna (April 2016)
Ein haariger Tag! (book for young adults). Vienna: Nummer 6, Produziert von Marcin und Frederik (2014)
Tony Vaccaro: The Formative Years (biography and art history). Vienna: Praesens Verlag (2006)
“The Sound of One Hand Clapping: The Art of Andres Klimbacher”, (December 2017)
“Linda Christanell, Christian Warrior: Woman” (an essay about the feminist aspects of Linda Christanell’s work), exhibition catalogue of the 21er Haus show Linda Christanell. Picture Again, (September 2017)
Translator and Editor, Franziska Maderthaner: Abstrock. Vienna: Verlag für moderne Kunst (2017)
“Never Say Mea Culpa”, (an oral history essay about Franz West), Franz West – ARTISTCLUB, exhibition catalogue, 21er Haus, Vienna (December 2016)
“Garden of Earthly Delights”, (an essay about the work of Martina Funder, July 2014) in Die VerTonung der Welt |The World Composed in Clay, Martina Funder, ed. Vienna: Verlag für moderne Kunst (2016)
“Memories Are Made of This” (an essay about the work of Zeljko Jancic Zec), March 2016
English proofreader and copy editor, Rosa, (monogragh of the work of Alfredo Barsuglia), Alfredo Barsuglia and Theresia Hauenfels, eds. Vienna: Verlag für moderne Kunst (2016)
“Pauline Marcelle: The Mother of Exiles” (an essay about the work of Pauline Marcelle), in the monograph Bend Down Boutique: non-spaces. Vienna: Metro Verlag (2015)
“Looking into the Johari Window” (an essay about the work of Lea Fuchs), November 2014
Translator and Editor, Out of the Flat (book of Franziska Maderthaner’s exhibitions 2014-15), 2014
Editor, Co-Author and Researcher, “New Poetry Worldwide Festival Map” reference database, Vienna Poetry School/Schule für Dichtung (June 2013)
“Dostoyevsky for a Day” (an essay about the work of artist Cornelia Caufmann), September 2013
Translator and Editor, Wiener Typen (audio guide for the eponymous Wien Museum exhibition), Vienna (June 2013)
“Somehwere East of Eden” (an essay about the work of Judith Saupper), Sorgfaltige Zukunftsplannung catalogue, Bäckerstrasse 4 – Plattform für junge Kunst, Vienna: Edition Dispositiv (May 2013)
Translator, in.print.out, catalogue of the International Print Network exhibition, Künstlerhaus Vienna (March 2013)
“Fun and No Fun” (an essay about the exhibition Abstract Grammar of Kirsten Borchert), March 2013
English proofreader and copy editor, alien productions: in state of transition, Werner Fenz, ed. Vienna: EIKON – Österreichisches Institut für Photographie und Medienkunst (2012)
“Sinneslust” (an essay about the work of sculptor Szilvia Ortlieb), Nevertheless, volume 5 (December 2012)
“Interview with Maximilian Pramatarov: Private, Willful, and Archaic” (an essay about the work of photographer Maximilian Pramatarov), Editon Photo catalogue, Vienna (October 2012)
“Anger Management” (an essay about the work of sculptor Szilvia Ortlieb), catalogue Szilvia Ortlieb (September 2012)
Editor, Fundamentals of Poetry: StudentText Samples and Project Documentation (Web Edition), Vienna: Schule für Dichtung and the European Association of Creative Writing Programmes (September 2012)
“Gradual Amalgamation” (an essay about the work of installation artist Michael Wegerer), Artothek Niederösterreich brochure (2012)
English proofreader and copy editor, Architecture in Linz 1900-2011, Andrea Bina and Lorenz Potocnik, eds. (Vienna & New York: Springer, 2012)
Tempted to Doubt (group exhibition catalogue concept and texts), Larissa Leverenz and Kirsten Borchert, curators. University of Applied Arts Vienna (May 2012)
Editor, Fundamentals of Poetry: Teacher Text Samples (Web Edition), Vienna: Schule für DichtungSchule für Dichtung and the European Association of Creative Writing Programmes (May 2011)
“Some Green Pieces: Thoughts on the Work of Robert Zahornicky” in Natur:Format. Freiraum Kunst – Mikrokosmos Garten (res urbanae waidhofner Begegnungen 3) Theresia Hauenfels and Silvie
Aigner, eds. Vienna: Praesens Verlag (2011)
“Kunst und Wissen, Wissenskunst/Knowledge Art. A Brief Overview of Ideas, Artists, Institutions”, Cultural Department of the City of Vienna research project text (December 2010/March 2016)
Managing Editor, English edition, Changing Views: 6 Künstler/6 Reisen/1 Kunstbuch. Vienna: Kapsch AG (2010)
“Gentleman, Artist, Scholar” (essay about the art of Martin Brausewetter), Changing Views: 6 Artist/6 Journeys/1Art Book. Vienna: Kapsch AG (2010)
“Sum Ergo Sum” (essay about the art of Pauline Marcelle), Changing Views: 6 Artist/6 Journeys/1Art Book. Vienna: Kapsch AG (2010)
“Santa Barbara” (review of the scent & sound installation, St. Barbara Chapel, Vienna Stephansdom), The Senses & Society, volume 5 number 2 (July 2010)
“Es ist immer ein Ursprung, nie eine Ende”, catalogue text for the painter Yvonne Simon (December 2008)
Editor, with Jeff Bernard, Gloria Withalm et al. “Gesellschaftliche Reproduktion und kulturelle Innovation. Aus semiotischer Sicht.” TRANS Internet-Zeitschrift für Kulturwissenschaften 16 (February 2006)
“The Breakfast of Champions: Some art historical and cultural historical aspects of permanent breakfast”, Permanent Breakfast: das immerwährende Frühstück im öffentlichen Raum, catalogue for an exhibition in the Kunsthalle Wien, pp. 33-35 (2004)
“Signs of Laughter and Contradiction”, TRANS Internet-Zeitschrift für Kulturwissenschaften 15 (July 2004) at www.inst.at/trans/15Nr/01_2/gadsden15.htm.
(Paper presented at “The Unifying Aspects of Culture” conference, organized by the Research Institute for Austrian and International Literature and Cultural Sciences, Vienna, November 2003)
“Vaccaro in War and Peace”, Macht der Zeichen, Zeichen der Macht. Festschrift für Jeff Bernard / Signs of Power, Power of Signs. Essays in Honor of Jeff Bernard (=TRANS-Studien zur Veränderung der Welt 3), Gloria Withalm & Josef Wallmannsberger (Hg./eds.), pp. 473-485. Wien-Münster: LIT Verlag (2004). (Paper presented at the international transdisciplinary symposium “Signs of Power, Power of Signs” of the Institute of Socio-Semiotic Studies, University of Applied Arts Vienna, September 2003)
“Ein Zimmer für sich allein”, interview conducted by Stephan Hilpold, RONDO/ Der Standard, p. 6 (November 21, 2003)
“Die Leute glauben, was sie in der Zeitung sehen”, interview conducted by Petra Stuiber, NU 13,
pp. 9-11 (September 2003)
“Latenter, gesellschaftlich tolerierter Antisemitismus”, interview, European Forum Alpbach Alpbach News 12, number 11, p. 6 (August 24, 2003)
Editor, European Forum Alpbach Alpbach News 12, special edition 1 (August 14, 2003)
“Then…and now?”, European Forum Alpbach Alpbach News 12, special edition 1, p. 1 (August 14, 2003)
“Vom Stürmer gelernt? Politische Karikaturen gegen Ende des 20. Jahrhunderts”, European Forum Alpbach Alpbach News 12, special edition 1, p. 3 (August 14, 2003)
